Rare Lalique Masterwork Sells in Paris

Rene Lalique: Winged Woman Balustrade Section, Detail.    Image via Sotheby's

Hello Dear Readers.  Just a quick post today.  In reviewing recent sales during this gloomy snowy Saturday I came across this stunner that sold at Sotheby's Paris some four weeks ago.  In a previous post regarding the sale of Tiffany Masterworks from the Garden Museum at Michaan's Auctions, I noted that the Museum's art nouveau treasures were being offered later at Sotheby's Paris salesroom.  I thought for sure they would be sold at the usual times for this material...the spring season but alas the sale was slated for February 16th.  There were many interesting pieces that I had not seen in some years but the rare Rene Lalique patinated bronze winged woman balustrade panel stole the show achieving the highest price of the sale.

Rene Lalique: Patinated bronze Winged Woman Balustrade Section    Image via Sotheby's

This panel was part of a sculptural balustrade within Rene Lalique's display with Siegfried Bing at the Paris Exposition Universelle of 1900.

Rene Lalique installation at the 1900 Paris Exposition Universelle  Image via Allposters.com

Detail of installation showing balustrade.   Image via Sotheby's

Further detail showing balustrade   Image via Sotheby's

The bronze panel offered at Sotheby's was one of five that formed a decorative balustrade that was backed with a sheer gauze simulating wings from which Lalque jewels were hung.  According to Sotheby's description:

Contemporary illustrations of Lalique's display at the 1900 Exposition universelle show five sculpted bronze figures in three different poses. Two have their hands under the chin, one in the collection of the Kunstgwerbemuseum Berlin (acquisition no. 1901-111), the other on exhibition in the Lalique Museum, Hakone, Japan (lent by Shai Bandmann); one with both arms raised above her head with head to her left (private collection) and two with arms raised above her head (the present example and private collection).

As the cataloging shows the panel is one of five produced and only one of two made utilizing the same figure which may explain the result.

Detail of present model at the exhibition Universelle Paris 1900   Image via Sotheby's

The panel was estimated at €200,000-300,000 and achieved a stellar €1,240,750 ($1,658,313).  This was quite an unexpected result and is a testament to the rarity and desirability of the work.  As an investment it was a rather wise one.  It was purchased by the Garden Museum in 1998 at Christies New  York for $134,500 against an estimate of $100,000-150,000.

The present work as illustrated at its previous sale, Christie's New York, 10 December 1998, Lot 111  Image via Christie's

A decorative art item increasing in value by over ten times in fifteen years is not too shabby to say the very least.  At the same sale in 1998, another version from the suite of five was offered, making $101,500 against the same estimate of $100,000-150,000.  This appears to be the example owned by collector Shai Bandmann presently on loan to the Lalique Museum in Hakone, Japan.

The example presently on loan to the Lalique Museum Hakone, Japan, Christie's New York, 10 December 1998, Lot 112   Image via Christie's

The new $1.6M price may motivate the owners of the three other privately held examples to consider selling.  We will have to wait and see.  Until next time.--AR

Rare Tiffany Furniture on the Block at Ivey-Selkirk

Louis C. Tiffany and Samuel Colman carved and micromosaic inlaid side chair.    Image via Ivey-Selkirk

Hello dear readers.  A dedicated follower tipped me off to this exciting Tiffany consignment that has emerged at St. Louis regional auction house Ivey-Selkirk.

Louis C. Tiffany and Samuel Colman set of four carved and micro mosaic inlaid primavera wood side  chairs    Image via Ivey Selkirk

Louis C. Tiffany and Samuel Colman micro mosaic inlaid carved primavera wood side table   Image via Ivey-Selkirk

The table is being offered on its own at $70,000-100,000 and the chairs are being offered as a set of four at $30,000-40,000.  While it is not in their description, the primary wood is tropical primavera which is a blonde timber with a fine grain not unlike mahogany.  The pieces are further embellished with fine wood and brass micro mosaic bands and small square panels.  The catalogue does correctly note that this group of furniture relates to the suite Tiffany and Colman created for the music room of sugar baron H. O. Havemeyer's Manhattan mansion.  A settee from that commission surfaced at Doyle New York in February of 2012 achieving a staggering $422,500.  You can read the details in my previous post.

Louis C. Tiffany and Samuel Colman carved wood settee offered at Doyle's New York    Image via Doyle's New York

Music room of the H. O. Havemeyer house, New York, circa 1891   Image via Flickr

While the works are very similar in their exotic influence, carving and overall details, the Ivey-Selkirk group is actually a dead ringer for a pair of Tiffany/Colman armchairs in the collection of the Metropolitan Museum of Art, New York.

Louis C. Tiffany and Samuel Colman  carved and micro mosaic inlaid primavera wood armchair, circa 1891    Image via Metmuseum.org

If I were a gambling man I would guess that they all were from the same original commission.  The table and chairs at Ivey-Selkirk have no listed provenance and the armchairs at the Metropolitan Museum merely list their 1964 donation by Mr. and Mrs. George E. Seligman.  While we do not know their origins they are all made of the same materials and match in the fine details.

Tiffany/Colman table at Ivey-Selkirk    Image via Ivey-Selkirk

Tiffany/Colman chairs at Ivey-Selkirk   Image via Ivey-Selkirk

Tiffany/Colman armchairs at the Metropolitan Museum of Art    Image via Metmuseum.org

The lush flowers are the same from their shallowly carved roots up to their overlapping leaves and blooms.  The array of fine micro mosaic inlays are exact as well.

Micro mosaic detail from the Tiffany/Colman table at Ivey-Selkirk    Image via Ivey-Selkirk

Micro mosaic detail from the Tiffany/Colman chairs at the Metropolitan Museum of Art   Image via Metmuseum.org

Micro mosaic detail from the Tiffany/Colman table at Ivey-Selkirk  Image via Ivey-Selkirk

Micro mosaic detail from the Tiffany/Colman chairs at Ivey-Selkirk   Image via Ivey-Selkirk

Micro mosaic detail from the Tiffany/Colman armchairs at the Metropolitan Museum   Image via Metmuseum.org

And while the table is now lacking its glass ball feet, there is evidence that it had them as the side chairs and the armchairs at the Met do.  Note the same reeded round tapered legs as well.

Leg detail from the Tiffany/Colman table at Ivey-Selkirk  Image via Ivey-Selkirk

Leg and caster detail from the Tiffany/Colman chairs at Ivey-Selkirk   Image via Ivey-Selkirk

Leg and caster detail from the Tiffany/Colman armchairs at the Metropolitan Museum   Image via Metmuseum.org

The table and side chairs are in "estate condition" meaning that it appears they have been untouched which is what serious collectors dream about.  It is much easer to improve fine chips, scratches and a darkened original finish than to attempt to reverse an aggressive restoration.  The Tiffany group at Ivey-Selkirk truly ticks all the boxes and I expect them fly at these conservative estimates.  Expect results well into the six figures for each lot.  I am positive all the requisite advisors, dealers and important collectors are circling as we speak.  Items like these do not come to light every season so this is a big deal in the Tiffany world.  I do hope that Metropolitan Museum has a donor step-in to buy the group as it would be a perfect ending to have this mystery Tiffany commission reunited at long last.  Until March 16th we wait.--A.R.

Tabletop detail of Tiffany/Coleman table at Ivey-Selkirk   Image via Ivey-Selkirk

UPDATE:

I have been in touch with the specialists at Ivey-Selkirk and have gotten a bit more information.  It appears that their Tiffany group of furniture was acquired by the family of the present owners in Washington, D.C. in 1968-69 from a house sale or other trade source.  As is often the case the trail has run cold.  In the course of my research (according to the Metropolitan Museum of Art) I read that Louis C. Tiffany displayed furniture with these Indian inspired inlays at the 1893 World's Colombian Exposition in Chicago.  Tiffany described the micro mosaic as "patterns . . . made of thousands of squares of natural wood, one sixteenth-of-an-inch in size, of different colors, and each individual square surrounded by a minute line of metal."  To my knowledge there is no known image of the works displayed bearing this technique, so alas I cannot say with certainty that the Ivey-Selkirk group along with the Met Museum armchairs were at the World's fair.  But, it cannot be ruled out either.  They do not appear in the known images of the Havemeyer Mansion and precious little is known regarding other private commissions of that period.  Unusual Tiffany pieces have surfaced before achieving wild results with absolutely no provenance so I wouldn't rule out the present group or the World Fair connection.  We have a week to go and I for one am on pins and needles.  Until next time--AR.

Tabletop detail of Tiffany/Coleman table at Ivey-Selkirk   Image via Ivey-Selkirk

UPDATE:

Well dear readers...the sale is still ongoing as I am writing this but I can confirm that both lots have sold.  The table achieved a hammer price of $60,000 ($72,600 with premium) and the chairs sold for $45,000 ($54,450 with premium).  I was a bit surprised that they stayed comfortably within their estimates.  Perhaps it was their condition or the lack of deeper provenance information.  I am sure we will see these pieces again maybe at the Met Museum, an antique show or a larger auction in New York.  Until next time--AR.

Rateau's Commission For the Duchess de Alba to be Sold at Christie's Paris

In researching my previous post on Eileen Gray and her retrospective at the Centre Pompidou, I thought of planning a trip to Paris. I did a little digging considering the upcoming auctions I could take-in....and I am glad I did.  Christie's has announced that they will be selling Armand-Albert Rateau pieces from my favorite of his commissions, the private apartments of the Duchess of Alba, doña María del Rosario de Silva y Gurtubay (1900-1934), in the Liria Palace, Madrid. Commissioned between 1920-1921 by her husband, Jacobo Fitz-James Stuart y Falco (1878-1953), 17^th Duke of Alba.

Duchess de Alba's Bathroom, Liria Palace, Madrid circa 1922  Image via Musee Des Arts Decoratifs, Paris

As faithful readers may notice, I have mentioned this room in a previous post and am simply ecstatic that I will be able to see some of these pieces in the flesh at long last.  According to the press release:

“The House of Alba has decided to sell the Armand Albert Rateau furniture commissioned by the 17^th Duke of Alba, don Jacobo Fitz-James Stuart in the early 1920s in France, in order to support the funding of its heritage and of its various palaces throughout Spain as well as supporting new projects for the family. This is part of a general reorganization undertaken by the House of Alba, as illustrated by the recent exhibition ‘El Legado Casa d’Alba’, the first ever organized in Madrid between December 2012-March 2013. These pieces of furniture are all that remain of a larger ensemble that no longer exists. They do not form part of the historic collection of the House of Alba nor do they relate to the history of Spain”, stated the House of Alba.

Duchess de Alba's Bathroom, Liria Palace, detail of niche  Image via Musee Des Arts Decoratifs, Paris

While exciting on many levels it settles a long scholarly debate, that this interior was in-fact dismantled at some point and no longer exists.  Hopefully the Christie's catalogue will shed more light on the details when it is issued.  According to Christie's expert Sonja Ganne the pieces consigned include:

Alba Commission Torcheres     Image via Christie's

Alba Torcheres, detail     Image via Christie's

• Two green patinated bronze floor lamps "aux oiseau" offered as individual lots at €1,500,000-2,000,000 each.

Alba comission bronze and marble low table "aux oiseau"   Image via Musee Des Arts Decoratifs, Paris

• A dark green patinated bronze and black marble low table "aux oiseau" at €1,500,000-2,000,000

Alba commission patinated bronze and marble dressing table Image via Musee des Arts Decoratifs , Paris

• A deep green patinated bronze and black marble dressing table at €600,000-800,000

Alba commission carved giltwood and bronze adjustable daybed  Image via Musee des Arts Decoratifs, Paris

• A carved giltwood and patinated bronze adjustable daybed at €400,000-600,000

Alba commission parcel gilt carved wood canapé "aux cols de cygne" Image via Musee des Arts Decoratifs, Paris

•  A parcel gilt carved wood canapé "aux cols de cygne" at €200,000-300,000

Alba commission carved white marble bath tub Image via Musee des Arts Decortifs, Paris

• A carved white marble bath tub at €150,000-200,000

The line-up is astonishing and I feel that the estimates are actually quite conservative given the rarity of Rateau's works and the fact that these pieces come directly from this original coveted commission.  The torcheres are the same model that were utilized in Jean Lanvin's bathroom (now in the Musee des Arts Decoratifs, Paris).  To my knowledge a torchere of this model has not been up at auction in the past few decades, if ever.

Rateau design for a floor lamp variation  Image via Fonds Rateau

Two similar and less ornate lamps were offered as successive lots at the Delorenzo tribute sale at Christie's New York in December 2010 achieving $842,500 and $1,142,500 respectively.

One of two Rateau lamps offered in the Delorenzo Sale at Christie's New York   Image via Christie's

A similar example was offered at Christie's Paris from the amazing sale of the Collection of Claude and Simone Dray in June of 2006, then making $1,302,782.

Related Rateau torchere from the Claude and Simone Dray sale, Christie's Paris  Image via Christie's

Also in the Dray sale was a slightly more elaborate version with an ivory switch...the rare variation was reflected in the price as it achieved a staggering $2,307,673.

Variant Rateau torchere from the Claude and Simone Dray sale, Christie's Paris  Image via Christie's

It is this variant nature and the rare Alba provenance that lead me to believe that the Alba torcheres will each soar past their estimates of €1,500,000-2,000,000.

Rateau design drawing for the table "aux oiseau"  Image via Fonds Rateau

Now on to the table "aux oiseau".  This is a model, that while rare, was a staple for well heeled Rateau clients most notably Jeanne Lanvin who had one in her bedroom.

Jean Lanvin's "table aux oiseau" at the Musee des Arts Decoratifs, Paris    Image via Musee des Arts Decoratifs, Paris

The last example at public auction was a variant of the Alba/Lanvin model with closer set, more arched birds centered by a flower and lacking the tray top opting for just the simple marble slab.

Rateau "table aux oiseau" from the Claude and Simone Dray Sale, Christie's Paris  Image via Christie's

This table not surprisingly also came from the Christie's Paris Dray sale in 2006 where it achieved $2,601, 667.  It appears that the Dray table was presented at the booth of Galerie Vallois at the Biennale des Antiquaires in Paris this past September.  Again, with this price as a base line I feel that the Alba table will blow through its estimates of €1,500,000-2,000,000 given its rarity and provenance.

Rateau Design for a vanity table   Image via Fonds Rateau

Now the vanity table is a Rateau design icon that turns-up with and without the mirror.  Jeanne Lanvin had a variant in her Paris apartment (on view at the Musee des Arts Decoratifs, Paris) and one presently resides in the collection of the Metropolitan Museum of Art, New York.

Rateu dressing table at the Metropolitan Museum of Art, New York  Image via Metmuseum.org

Rateau's variant dressing table for Jeanne Lanvin  Image via Musee des Arts Decortifs, Paris

The last example at auction once again came from the Collection of Claude and Simone Dray at Christie's Paris in June of 2006.  It realized a heady €1,916,000 against a seemingly conservative €500,000-700,000.

Rateau dressing table from the Dray Collection  Image via Christie's

With this in mind, once again the example from the Alba commission seems conservative at €600,000-800,000.

Rateau's adjustible daybed from the Alba commission shown in two positions  Image via Editions de L'Amateur

There is no comparable for the Alba daybed which makes sense as the literature suggests that it is unique.  The period images above show it in two positions and with its original ocelot fur upholstery.  Thankfully for us it was photographed more recently with both the head and foot in raised positions making it a more versatile curule form bench.

Rateau adjustible daybed shown with ends raised   Image via Editions de L'Amateur

Rateau's carved wood furniture typically does not reach the prices of his works in bronze. But, the fact that it comes from the Alba commission and is apparently a unique work, I expect bidders to completely ignore the sale estimates of €400,000-600,000.

UPDATE:  The catalogue is out and it has recently come to light that there are two examples of this daybed.  The example above in the cream upholstery was part of a Rateau exhibition at Delorenzo Gallery, New York in 1990.  Its present whereabouts are unknown...

Now onto the parcel giltwood canapé "aux cols de cygne".  There is not an auction precedent for this work to my knowledge and its rather historicist Empire style form seems right at an estimate of €200,000-300,000.  I still think that it will go well over the high estimate, but it is not the most highly prized work in the offering.  It is by no means a unique work, but I personally have not encountered one in in the flesh.  The Alba model appears to have been originally covered in a dark satin or dark short haired fur and the literature shows this period image of the same model covered in a light striped fur.

Rateau canape "aux cols de cygne"  Image via Fonds Rateau

In the period, the model was also seen at the 1925 Paris exposition where Rateau recreated the Alba bathroom at the Arnold Seligmann Gallery on the Place Vendome.  The example at the exhibition was covered in a striped fabric and had a minimally carved seat rail.

Rateau installation at Arnold Seligmann Gallery, Paris 1925   Image via Fonds Rateau

Last but not least we come to the tub.  It is a great object, but as with all site specific works and architectural elements it will prove to be a tough sell which is reflected in its relatively modest €150,000-250,000 estimate.  Hopefully it still has its sculptural bronze taps and spout as this will help.  However, at the end of the day, you need that special client who has a vision and is willing to design an entire room around this dreamy sunken tub.  This type of client can prove to be elusive and if the piece passes it will be hard to sell in a later auction stripped of its context.  But I will think good thoughts.

Alba commission carved white marble bath tub Image via Musee des Arts Decortifs, Paris

As a final thought, I mused over the press release's rather adamant stance that "these pieces of furniture are all that remain of a larger ensemble that no longer exists".  As you peer once more into the period images you notice a second pair of floor lamps, a bronze mounted alabaster floor vase, a small vanity chair and tabouret that are unaccounted for.  

Duchess de Alba's Bathroom, Liria Palace, Madrid circa 1922  Image via Musee Des Arts Decoratifs, Paris

Detail showing vanity chair    Image via Musee Des Arts Decoratifs, Paris   

Detail showing floor vase    Image via Musee Des Arts Decoratifs, Paris   

Detail image showing low stool/tabouret   Image via Musee des Arts Decoratifs, Paris

Who knows where these pieces are or if they will ever surface and don't get me started about the elaborately lacquered and painted walls.  If you look at the plan you see that it was a round room created by cleverly framing out a square room, thus creating concealed niches for the sink, w.c., closet, and an alternate exit/staff access.

Plan of the Duchess de Alba's bathroom.  Image via Fonds Rateau

For color images of this type of Rateau painted decoration see my previous post on the subject.  I plan to provide updated information as we learn more about the Alba consignment at Christie's.  Until next time--AR.

UPDATE:
It has come to my attention that Galerie Vallois presented a canapé "aux cols de cygne" with a matching chair at the 2004 Paris Biennale des Antiquaires.  The pieces came from a group of works that were from the apartment of Jeanne Lanvin circa 1920.

Galerie Vallois Rateau Installation at the Paris Biennale des Antiquaires in 2004   Image via Galerie Vallois