Image via Pook & Pook
They came from the collection of El Roy and Helene Master which was known in Americana circles as a multi-generational collection spanning the last 100 years. For more about the collection see the review in the Maine Antiques Digest. The chairs were believed to be copies of 18th century Boston chairs after the designs of Robert Manwaring and were offered at a mere $1500-2500.
They came from the collection of El Roy and Helene Master which was known in Americana circles as a multi-generational collection spanning the last 100 years. For more about the collection see the review in the Maine Antiques Digest. The chairs were believed to be copies of 18th century Boston chairs after the designs of Robert Manwaring and were offered at a mere $1500-2500.
Parlour Chair: Plate 9 of The Cabinet and Chair-Maker's Real Friend and Companion, 1765, by Robert Manwaring via Metmuseum.org
The chair design on the left is clearly the inspiration for these chic chairs. While they are Rococo holdovers I love the little flicker of gothic seen in the ogee at the bottom of the splat.
Image via Metmuseum.org
Luckily the sale at Pook & Pook was well advertised and well attended. The mis-catalogued chairs made an astounding $163,800 even in the down economy and at a small regional venue....that is no small feat and speaks volumes about their rarity and quality. Until next time. --AR
An exciting find and auction moment. I love your pointing out the delicacy of the Gothic detail among the heavier baroque curves.
ReplyDeleteI once saw a photo of the Metropolitan chairs in which they were described as typical Salem work. Have they changed their minds?
--Road to Parnassus